Blogs, Twitter, Popular Press, etc.
- The topic of female directors, producers, and films with strong female leads in the global film industry- and the lack of recognition that they receive - made headlines this year with Jane CAMPION's remarks at Cannes.
- A great general resource is Melissa Silverstein who is the founder and editor of Women and Hollywood. I follow her on Twitter (@melsil) and she is a treasure trove of information about women in the industry world wide. I also follow Girls on Film (@Girls_on_Film) the European Women's Audiovisual Network (@ewawomen) and CIMA: Asociación de Mujeres Cineastas y de Medios Audiovisuales (in Spanish) (@CIMAcineastas) onTwitter. They are all excellent sources of information.
- The Geena Davis Institute on Gender and Media is fabulous and can be followed on Twitter (@GDIGM) and Facebook.
- Niamh Thorton has a very informative blog post on Latin American Film Makers.
- In Argentina the organization La mujer y el cine, is an organization dedicated to promoting the work of women in the film industry. There webpage has recently been taken down, but I am hopeful that this is temporary. (Lamujeryelcine.com.ar)
- In Chile, Femcine is a "Festival Cine de Mujeres."
- And 2013 article in the newspaper El País reports on the inequality in the Spanish film industry, stating that 9 of every 10 films that are filmed in Spain are directed by a man, and that the casts of these films directed by men are also disproportionately male. In this same article, the Spanish directora Isabel de Ocampo blames this imbalance on the exclusive decision making power of older males when it comes to film financing.
- In a 2013 forum, Colección Espejo, organized by the Asociación de Mujeres Cineastas y de Medios Audiovisuales (CIMA) in Madrid, several Spanish film directors spoke about the sexism that exists in the film industry, which is summarized here.
- Newsweek has taken notice of some of the more recent films by Mexican directoras. In her piece, Alexis Okeowo highlights several directors and their recent films, including the documentary filmmakers Eva Aridis, as well as Mariana Chenillo and Andrea Martinez (both mentioned later in this piece), Eva Lopez Sanchez, Maria Novaro, and Patricia Riggen.
Books
There are a handful of books on female filmmakers from various Spanish-speaking countries.
Spain:
Barbara Zecchi's (UMASS) most recent book is entitled Desenfocadas: Cineastas españolas y discursos de género* and offers a comprehensive study of women in the Spanish film industry since its inception. She is the Director of the Digital Humanities project from UMASS on the History of Spanish Women´s Cinema.
*Zecchi, Barbara. "Desenfocadas. Cineastas españolas y discursos de género (introducción)." Introducció del llibre: Desenfocadas. Cineastas españolas y discursos de género, Barbara Zecchi, Icaria 2014, ISBN: 9788498885682, 248 p. (2014).
Argentina:
Rangil, Viviana. Otro punto de vista: mujer y cine en la Argentina. 1st edition. Rosario: Beatriz Viterbo, 2005. Print.
Mexico:
Rashkin, Elissa J. Women Filmmakers in Mexico: The Country of Which We Dream. Austin: University of Texas Press, 2001.
Other Academic Resources
Ayala Rojas, Laura Lucinda (2012) Miradas de mujeres mexicanas en las artes visuales y en el cine. IMAGINARIO VISUAL (3). pp. 1-8.
Castro Ricalde, M. (2008). Género y estudios cinematográficos en México. CIENCIA ergo sum, 16-1(marzo-junio 2009), 64-70.
Monterde, José Enrique. “El largo camino hacia la dirección.” La Mitad del cielo: Directoras españolas de los años 90. Ed. Carlos F. Heredero. Ayuntamiento de Málaga ministerio de Educación y Cultura, 1998. 15-24. Print.
There are a good number of academic publications on individual films by contemporary female directors including Te doy mis ojos (Icíar Bollían, 2003), La Misma Luna (Patricia Riggin, 2007), among others. I have not begun to explore the scholarly journal publications which study the specific films by early female pioneers of film in Spanish-speaking countries.
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